Firozi Buti Hand-Batik Set
Turquoise ground scattered with tiny florals
Unstitched dress materials, block-printed by hand in Bagru since 1974. Molten wax laid on cotton, dipped in natural dye, cracked, boiled clean — the veining you see is the craft signing its own name.

Categories are only a way of walking through the shed. Every length below came off the same tables, cut by the same hands.
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Small lots, printed and dried over the last two weeks. When a lot sells out, that exact shade is gone.
How it is made

A single motif is carved into seasoned sheesham wood, in reverse, by hand. A complex jaal can take a carver eleven days. We still print from blocks cut in 1998 — they wear softer with age, and the print gets warmer for it.
Beeswax and paraffin are held at exactly 62°C. Too cool and the wax sits on the surface; too hot and it bleeds past the motif. The printer registers each stamp by eye against the last — three metres, several hundred impressions, no guides.
The waxed length goes into a cold natural bath — indigo, madder, pomegranate rind, turmeric. Wax repels the dye and holds the motif white. Deeper shades are simply more dips: our indigo goes in twice, sometimes three times.
The dried wax is crushed so dye seeps into the fractures — that fine veining is the signature of true batik. Then boiling water lifts the wax away, the cloth is river-rinsed and sun-dried on the roof. Nothing about this can be hurried.
When a dye lot runs short we sell the remainder at mill price. Once these lengths go, that exact shade never returns.
Ranked by lengths shipped over the last ninety days.
Interlocking circles in deep rani pink
Indigo ambi motifs on hand-spun cotton
Turquoise ground scattered with tiny florals
Olive-green leaf vines in vertical run
Interlocking circles in deep rani pink
Interlocking circles in deep rani pink
Interlocking circles in deep rani pink
Blush rose with open floral butti

Lookbook · Monsoon 2026
Shot on the roof in Bagru through three days of rain. Deep rani, cracked indigo and haldi — the shades that hold their nerve when the light goes flat.

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artisan families printing for Rupali, some across three generations.
Screen printing can imitate the motif. It cannot imitate wax that cracked differently on every metre.
Customer voices
Reviews are only accepted from verified orders.
Rated 5 out of 5“You can see the fine veining where the wax cracked in the dye bath. This is not a screen print pretending to be batik — I have bought enough of those to know the difference immediately.”
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Every parcel is insured, tracked, and folded into a reusable cotton pouch. Check your PIN code for a delivery window before you buy.

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